Big Think’s interview with Rick Moody covers a lot of ground—the problems with writing workshops, writers and antidepressants, the damage the recession has done to writers (especially experimental ones), and the effect of the internet has had on our attention spans. Those thoughts aren’t new ones, but Moody comes at them from a boots-on-the-ground perspective. And I hadn’t heard one idea that Moody puts forth in the interview, which is that writers aren’t revising the way they used to:
How it affects writers of literary fiction is sort of coming into view, but one way that I notice it is that books that were written primarily on a screen and never printed out and worked with by hand are now more numerous than they used to be. And I imagine sometimes that I can kind of tell. There are certain writers who work really quickly and the project goes straight from their screen to the editor to the copy editor to the printer—and it never got dealt with the way people used to deal with prose, which was to patiently revise. And that period of time in which one patiently revises is a period of time in which you can make important decisions about whether that particular passage, or that entire idea, or even the book itself is really worthy or not. And if you’re just sort of working fast and hitting “send,” you miss out on that opportunity to think about what you’re doing.
This is an occupational hazard with journalists, especially bloggier ones—and don’t think Moody won’t call you out for sloppy bloggy argumentation—but lacking specific evidence, it’s hard to say that revision is a lost art, or that the internet is helping to kill it. The fact that copy editors at publishers have disappeared at publishing houses has been well-documented, but if anything that seems to have prompted writers to take even more care with their own work, and forced agents to push their writers to rework more in order to get their work seen in a crowded marketplace. Whether the books are getting refined and polished to appeal to a certain set of tastes is worth discussing, but I’ve never gotten the impression that self-respecting authors at any serious major or indie press go from rough draft to published book with minimal fuss.