Kevin J. Hayes is back with another question. Last time he was looking for tips on travel writers (glad I could be somewhat useful); this time he’s hunting for authors who’ve mastered multiple genres: “Take Henry James for instance,” he writes. “Best known as a novelist, James was also a fine travel writer and memoirist. I can justify discussing James in two or three different places, but I do not have room to discuss every genre of every author. So, here are my questions. Which American authors excelled in more than one literary genre? Where should I discuss them? Are they important enough to deserve discussion in more than one chapter? Boy, that’s a loaded question. Here’s a more fundamental one: what constitutes literary importance?”
Hell if I’m going to address that last question before breakfast. But a few names that immediately spring to mind: John Updike (see John Gross‘ excellent piece in the new NYRB on his most recent nonfiction collection); Mark Twain; Paul Theroux; Maxine Hong Kingston; Paul Auster (stretching here, but I do admire his memoir, Hand to Mouth). There has to be more. Maybe Walter Mosley gets credit for at least attempting his recent literary-erotic works?
How about Jack London, allegedly the most-read author in the world? Today marks the first day of the Geneva’s international book fair, and among the displays is Francis Lacassin’s 52-volume set of London’s works, translated into French.
An AP story explains just how lucrative the life of the much-hyped short story writer can be: According to the piece, Donald Ray Pollock‘s new collection, Knockemstiff, has sold all of 3,000 copies. It’s early yet, but that’s still short of the 27,000 hardbacks that were run off. So how do you avoid the remainder bin?