Links: Welcome! You’ve Got Weltschmerz!

Jonathan Franzen: “And AOL’s little box—the welcome screen, they call it, I guess—is so infuriating in its dopiness: ‘Surprising Leader In The Masters! Find Out Who!’ ‘Ten Things To Think About When Choosing A Hotel!’ ‘What Smart Travelers Know About X!’ It’s all in compact form, and it kind of tells me everything I need to know about the larger stupidity. It helps keep me in touch.”

Related: Lionel Shriver takes the Franzen hype as an opportunity to voice her righteous anger at the way her book covers favor girly imagery that’s out of touch with the book itself.

And related again: A few months back Shriver complained that Bret Easton Ellis‘ publisher spent too much money promoting his last novel. Ellis doesn’t disagree: “Lionel Shriver is correct in that regard. You can paint that black or find it interesting. The book business has become a bit of a dinosaur. But what is it transitioning into?

On what science fiction writers can learn from the recent spate of literary novels with science-fiction themes: “Reading through a stack of these recent literary books, you’re left with the feeling that…two themes — technological dislocation and imperial collapse — are resonating in the consciousness of the book-reading classes, and any author who manages to exploit these themes in an evocative way will make it big.”

How To Kill a Mockingbird inspired legal writer Dahlia Lithwick.

George Hitchcock, who published Raymond Carver‘s poetry in the literary journal kayak, died August 27.

The Cross of Redemption: Uncollected Writings by James Baldwin is a bit scattershot, as the title suggests, but it has its share of provocative lines and it’s very much worth reading; the Library of America blog rounds up some of the coverage of the book.

Scott Timberg points to a couple of fine profiles he’s written on Daniel Alarcon and Yiyun Li.

Incoming college students rarely bother to read the book they’ve been assigned to read prior to their arrival on campus.

In fact, it seems like they’ll throw more energy into satirical news stories with headlines like, “Overzealous First-Year Reads Most of Summer Reading Assignment.”

Links: Leftovers

What foreigners might read to better understand the “American character.”

An author gives up on writing criticism: “I know intimately that the worst novels ever written took more fearlessness, will and soul than the best book reviews ever written.”

To buy the time work on a play or another book, Richard Price is working on a screenplay for Lush Life.

Raymond Carver biographer Carol Sklenicka: “It boggles the mind how someone who is said to be gentle can hit his wife over the head with a wine bottle and sever her artery.” I have a review of Sklenicka’s book in the Minneapolis Star-Tribune.

Is To Kill a Mockingbird keeping Southern writers from addressing race?

Colum McCann
‘s win at the National Book Awards somewhat redeems Ireland’s failure to qualify for the World Cup.

Rick Moody starts tweeting a story tomorrow at @BlackClockmag.

A visit to the graves of Louisa May Alcott, Ralph Waldo Emerson, Nathaniel Hawthorne, and Henry David Thoreau. And the guy who played Coach on Cheers.

The publication of Vladimir Nabokov‘s The Original of Laura is an opportunity to dump on living authors: “Richard Powers drones on in high, wooden prose about love, Philip Roth engages in bottomless carnal rumination, Foerian pornographers of tragedy eagerly show us their wares—and Nabokov’s fragments … reveal how hollow so much serious (a synonym, these days, for self-serious) contemporary literature is.”

The publication of The Original of Laura is an opportunity for Roger Ebert to write about the film version of Lolita for Playboy. [NSFW]

The publication of The Original of Laura is an opportunity to come up with some new covers for Nabokov’s backlist.

Jonathan Yardley likes Ben Yagoda‘s book on memoirs, though he’s not much for the recent spate of memoirs themselves.

Jonathan Lethem on the Kindle: “I like old, crapped-out books. For me, it’s an unapologetic fetish, and my house is loaded with them and I’ll always be in love with these things. I worked in used bookstores for a long time. But again, in the cause of not being the cranky old man, even though I can feel all kinds of intense sensory resistance to this thing I choose not to believe it’s the enemy. I’m just going to decide that the world has enough room for this innocuous little guy, too. Why not?”

Links: A Winning Style

The nominees for the National Book Award were announced earlier this week. I can recommend two of books in the fiction category: Daniyal Mueenuddin‘s In Other Rooms, Other Wonders, a carefully turned collection of stories that focus on class divisions in Pakistan, and Jayne Anne PhillipsLark and Termite, a novel about the intersection of the Korean War and a broken family back in America. It’s harder for me to recommend Colum McCann‘s ambitious Let the Great World Spin a novel that seemed to foreground its bigness at the expense of its characters. My review of the book in the Chicago Sun-Times wraps up this way: “There’s plenty to admire in Let the Great World Spin, especially for anybody predisposed to the widescreen style of Don DeLillo’s Underworld. But the magic of Petit’s wirewalk was that it seemed so effortless, like walking on air. McCann too often lets the reader know just how difficult a balancing act he’s trying to pull off.” The rest of the nominees? Your guess is as good as mine.

The typewriter that Cormac McCarthy has used to write all his novels until now is going up for auction.

The pleasures of reading To Kill a Mockingbird aloud.

Perhaps Lorrie Moore is trying too hard to be funny? (I haven’t gotten to A Gate at the Stairs, but the “jokes” in Self-Help do do a lot of the work. But they’re often anti-jokes, planted to show how sad or despairing or resentful a character is. She jokes a lot, but she’s not trying to get you to laugh.)

Cynthia Ozick on the Kindle: “A robot!” “A foreign object!”

Willa Cather‘s development as a novelist.

Junot Diaz in Oprah magazine: “[A] writer is a writer because even when there is no hope, even when nothing you do shows any sign of promise, you keep writing anyway.”

Will Ferrell will star in a film based on a Raymond Carver short story (“Why Don’t You Dance?”, I think).

Lastly, this from the Department of Condescending Media: When a football player reads books, it’s news.

Scout Goes West

One Book, One Denver has announced that its latest pick for its citywide reading effort is Harper Lee‘s To Kill a Mockingbird—which, like last year’s choice, Dashiell Hammett‘s The Thin Man, doesn’t have much to do with Denver, or Colorado, or even life west of the Mississippi River. Understandably, at least a couple of critics have spent much of the last month complaining about the reading program, ever since the list of titles for consideration (it was put up to a public vote) failed to include any books set in the state. The most notable omission was Kent Haruf‘s Plainsong; Westword editor Patricia Calhoun, an advocate for the book, also noticed that the 27 books under consideration were all part of the NEA’s Big Read program. True enough, last Friday it became clear that the city program has received $20,000 from the Big Read.

I don’t have any major issues with the Big Read concept, which seems particularly useful for communities that have little in the way of library dollars or public-arts and literacy programs. And funding is tight everywhere in cities these days, especially when it comes to the arts. But it’s a disappointing situation regardless, one that seems to negate the whole point of the enterprise—much of what these citywide reading programs have going for them is a sense of civic pride, and though the reading choices shouldn’t be boosterish, it should at least feel a little less like going back to high-school English class. (Chicago’s program at least had the good sense to select Sandra CisnerosThe House on Mango Street last spring.) Without any particular reason to feel invested in the program, it’s not much of a surprise that only 2,000 people answered the call to vote for a book the whole city can get behind.

Links: Stranded

Vanderbilt University’s Jay Clayton teaches a class that I wouldn’t dream of skipping: Biotechnology and Culture: From Victorian Eugenics to Contemporary Genomics, whose syllabus includes Middlesex, Cloud Atlas, White Teeth, Blade Runner, and a whole lot more. That gobstoppingly excellent reading and viewing list is bolstered by a fine blog that’s currently drilling into some plot points of Richard PowersThe Gold Bug Variations. (via)

If you’d prefer a primer in the basics, Yale University has posted 26 videos of Amy Hungerford’s course in the American Novel since 1945.

In the Daily Beast, Laura Lippman posts an good list of five of her favorite works of fiction, which includes books by Jack Pendarvis, Philip Roth, Kate Atkinson, Megan Abbot, and Herman Wouk. (Haven’t heard a plug for that last author in quite a while.) (via)

I don’t have the patience to read all the squabbling, but apparently fantasy author Elizabeth Bear launched quite a kerfuffle about racism in her genre.

Which has, in turn, prompted an assertion by an anonymous industry insider that publishing in general has a race problem.

The Second Pass, a new Web site dedicated to reviewing new books and revisiting old ones, has just launched. Looks promising.

The NEA’s Big Read honcho, David Kipen, promises he’ll eat a copy of To Kill a Mockingbird if he can’t get all 128 residents of Kelleys Island, Ohio, to read the book. (I picture a tragic scene where the last holdout, after hours of browbeating, breaks down in tears and cries, “I never learned to read!”) This should come in handy for prep work:

March Through the South

Next month marks the launch of the Southern Literary Trail, which honors 18 towns in Alabama, Georgia, and Mississippi that were home to some of the country’s best-loved writers. There’ll be readings on the grounds of William Faulkner‘s house; performances at the Margaret Mitchell house and museum; screenings of films based on the works of Carson McCullers; a whole bunch of events related to the centennial of Eudora Welty‘s birth; and more. The very idea of it was enough to get Harper Lee out of doors for a bit recently.

Lit Home Alabama

The Columbia Spectator, Columbia University’s student newspaper, has launched a series titled “Fifty States of Literature”–every week it’ll feature a book that “captures the essence of each state.” (I suppose they’re skipping D.C., which is unfortunate.) Presumably they’re going in alphabetical order, because the first entry is on Alabama and To Kill a Mockingbird. [HT: The Literary Saloon]