Moby-Dick‘s influence on artist Frank Stella.
Gerald Early discusses his job as editor of the brand-new “Best African American Essays” and “Best African American Fiction” series. E. Lynn Harris guest-edited the first edition of the latter series; Nikki Giovanni is handling next year’s.
Richard Ford bids the Bush administration farewell in the Guardian.
And speaking of the Guardian: If you wanted to read Audrey Niffenegger‘s online graphic novel The Night Bookmobile but had a hard time navigating its clunky interface, John Dunlevy has assembled a helpful table of contents.
Thanks to Very Short List for pointing to Daily Routines, which gathers up anecdotes on the work lives of famous people. The section for writers, as you might imagine, draws heavily on Paris Review interviews—among those included are Toni Morrison, John Updike, and Ernest Hemingway. But let’s take a look at Pauline Kael, who offers a useful reminder of the first principles of good writing:
[S]taring at the piece in horror and exclaiming at her own ineptitude, she would immediately begin tearing it apart, scissoring and recombining the paragraphs, writing in new observations and jokes in the margins or above the lines, at which point the piece would be typed again. The process continued without interruption at the office where, like Proust after an injection of caffeine, she would assault the galleys, rearranging and rewriting, adding and subtracting still more jokes–on and on, until the pages were reluctantly yielded to the press.
The D.C.-Area Readings page has been updated. Among the notable events coming up in a very notable week in Washington: Alice Walker Monday at Busboys & Poets 14th & V; Iraqi-born artist and writer Wafaa Bilal Thursday at Busboys & Poets 14th & V; and Jayne Anne Phillips, discussing her brilliant new novel, Lark & Termite, Friday at Politics & Prose. As always, your tips and recommendations for the readings page are welcome.