Ann Beattie‘s new book, Walks With Men, is her first novella, clocking in at just over 100 pages. She describes the appeal of the form in a brief interview with the York County (Maine) Coast Star:
Short stories distill language, which can be to the writer’s advantage; novels don’t exactly do the same thing in the same way, because it would get tedious. But in the middle range (the novella), the writer can sometimes trust in the reverberation of language and images and symbols in the same way the short story writer can trust in their inherent weightiness. In a novel — for me — language dissipates, in terms of subtly suggesting things, and other things have to take over.
In saying that, she references a 2003 Bomb interview of Steven Millhauser by Jim Shepherd, where he talks a little more colorfully about the appeal of the middle route:
The novella wants nothing to do with the immense, the encyclopedic, the all-conquering all-devouring prose epic, which strikes it as an army moving relentlessly across the land. Its desires are more intimate, more selective. And when it looks at the short story, to which it’s secretly akin, it says, with a certain cruelty, No, not for me this admirably exquisite, elegant, refined—perhaps overrefined?—delicately nuanced, perfect little world, whose perfection depends so much on artful exclusions. It says, Let me breathe! The attraction of the novella is that it lets the short story breathe.
Sounds nice, though pulling it off successfully is a tougher trick—Don DeLillo has been trying to do it for the past ten years, and only now, with Point Omega, does he seem to have a firm command of that middle length. Last month the Emerging Writers Network dedicated a month-long series of posts to the questions of what the form is and why/if it works. One of the best comments there comes from novelist Steve Stern: “So what if the novella denies you the primary intimacy with its characters that a novel affords; it enhances your awareness of the mystery of their movements, the allusiveness of their speech, while at the same time preserving your appreciation for the beautiful symmetry of the structure that contains them.”