Idiosyncratic Distortions With JCO

Readerville’s Gayla Bassham points to the San Diego Union-Tribune‘s interview with Joyce Carol Oates, who’s traveling to San Diego to discuss two of her latest books, the novel My Sister, My Love and the short-story collection, Wild Nights! I’m much more a fan of the latter than the former—her ability to inhabit the minds of four notable American writers seems like a more impressive achievement then registering a straightforward (if epic) grouse about tabloid culture. Plus, Wild Nights! allowed her to hang out with the folks she considers her people:

“I think of myself as a wholly American writer in the tradition, however our styles may vary, of Melville, Poe, Twain, Dreiser, Faulkner, Hemingway – holding a kind of mirror to our lives that, despite its idiosyncratic distortions, is an authentic reflection of our lives.”

“American writers are fascinated by their now-iconic, ‘classic’ predecessors,” Oates states. “There is a kind of hypnotic spell cast by the 19th-century writers of idiosyncratic genius and by the incomparable tragic figure, Hemingway. The major attraction in writing about them in fiction – I’ve written about each of them in critical essays – was to immerse myself in their language and in their worldviews, to the degree to which I could do this.”

Two more JCO books are coming: A story collection, Dear Husband, and a mystery-suspense novel, A Fair Maiden.

Links: Man Oh Man

Rivka Galchen, author of an excellent debut novel, Atmospheric Disturbances, and nominee for Canada’s Governor General’s award for fiction (she was born in Toronto and lives in New York), registers a complaint about America’s literary patriarchy: “[I]n Canada, more than half of the prominent Canadian writers are women, whereas in the U.S. it’s just boys, boys, boys—and not even manly boys. I mean, we have a lot of great writers down here but I’m sort of ashamed about that.”

E.L. Doctorow recalls his “assault on the boundaries between fact and fiction.”

Joyce Carol Oates reports back from Las Vegas’ Liberace Museum.

Joyce Carol Oates, Loser

Cheryl Truman of the Lexington Herald-Leader asks Joyce Carol Oates a glum question and gets a glum answer:

Does Oates see herself with that Nobel Prize? No. Her husband is dead now, and so are her parents (“It’s one’s parents who care,” she says). Who’s going to celebrate with her, be proud of her now? Winning the Nobel would be, she says, just a little sad.

“No, I must say, it doesn’t mean much to me.”

Truman’s inquiry stems from a statement she makes early in her piece that “the only major award that she has not received is the Nobel Prize for literature.” Sounds right. Isn’t right. According to Celestial Timepiece, the absurdly granular Web site dedicated to Oates’ work, JCO has never won:

The Pulitzer Prize
The Orange Broadband Prize
The PEN/Faulkner Award
The National Book Critics Circle Award

She did win the National Book Award—in 1970, which means she’s suffering a 38-year drought in which the NBAs passed over (rough estimate) 286 of her books. Her acceptance speech for that prize is worth a read. It’s been a long time since she’s won a big prize, but she hasn’t changed her mission statement:

In novels I have written, I have tried to give a shape to certain obsessions of mid-century Americans: a confusion of love and money, of the categories of public and private experience, of a demonic urge I sense all around me, an urge to violence as the answer to all problems, an urge to self-annihilation, suicide, the ultimate experience, and the ultimate surrender. The use of language is all we have to pit against death and silence.

Oates on “Tabloid Hell”

Residents of the greater Washington, D.C. area are currently having their patience tested with a 12-part series about the death of Chandra Levy. Best as anybody can tell, the series is little more than a tick-tock of a scandal that happened seven years ago, one that sheds no new light on how to investigate a high-profile murder in general, or on how D.C. police in particular might better comport themselves in the future. It’s old and tiring stuff to a lot of people, which may be why nobody seems to be beating down the door to talk about Joyce Carol Oates‘ new novel about a JonBenet Ramsey manque, My Sister, My Love.

To be sure, the book has issues. (If critical characters like Skyler’s dad seem wooden and irrational, is that Oates brilliantly exposing the tics of the novel’s unreliable narrator, or is she just writing weak characters?) But Oates’ obsession with tabloid-news culture itself never seems misguided, and she discusses “tabloid hell” in an interview with BookPage, in which she reveals that Bill O’Reilly was good for something:

“I had the whole Fox News syndrome,” she says. “I was watching Fox News while I wrote the novel, watching Bill O’Reilly. I do come from a Christian background and the Christianity on Fox News is just used for political purposes, it’s so transparent. Bill O’Reilly always used to say ‘secular progressive’ for left wing. Secular progressive sounds pretty good to me! Fox News? I call it Hawk News. I don’t watch that anymore. I just can’t even look at it now.” She detoxed with “The Daily Show.” “He’s excellent,” she says. “I get a lot of news from Jon Stewart.”

The Unreliable Narrator’s Mostly Reliable Narrator

Time catches up with Joyce Carol Oates, author of the fascinating/maddening novel, My Sister, My Love, which was inspired by the JonBenet Ramsey case. (I hope to have time at some to write down some of the issues I have with the book.)


Is it a bad thing that there was so much publicity about the real case?

I think it satisfies a certain desire or hunger in the populace. It depends what you think news is.

Actually, Oates has more than a couple of sentences’ worth of thoughts on the matter.

Oates Interviewed

The Columbus Dispatch has an e-mail interview with Joyce Carol Oates–the first I’ve seen with her since the death of her husband, Raymond Smith, in February. She has a new book of short stories, Wild Nights! Stories About the Last Days of Poe, Dickinson, Twain, James and Hemingway, and inevitably the discussion turns to Smith:

Q: In your journal entries, you have described yourself as “ lazy” and even “staggeringly indolent” and yet you’ve been astonishingly prolific for decades. Do these contrasting inclinations still exist?

A: Since my husband’s unexpected death, I really have very little energy. I am tired nearly all the time and have terrible insomniac nights. So perhaps the longtime theme of my “energy” is no longer relevant. … Now, living alone, I feel as if I am lacking gravity, or oxygen … the freedom of aloneness is a melancholy thing.

My husband was not at all involved in my literary life; he did not read most of my writing, only just reviews (as an editor, Ray had a first-rate eye. We were together in this house most of the time, in our separate offices, meeting for meals, afternoon walks and bicycle rides, and social engagements. Ray never interfered in my professional life — did not offer opinions, and did not read most reviews of my work or articles about me. We were each other’s best friend and confidante — though I tried not to disturb Ray with bad news of any kind, unless it was necessary.

A Stranger Comes to Town, With a Ladder

Bret Anthony Johnston, head of the creative writing department at Harvard University, has a new book titled Naming the World and Other Exercises for the Creative Writer. Johnston solicited advice from Joyce Carol Oates, Tom Robbins, Ann Packer, and others (complete list) to assemble a collection of tips and tricks. As Johnston told Radio Iowa:

“They’ve asked the reader to do things such as, find an old postcard and make a story up from it,” Johnson explains, “they’ve asked to them to re-imagine a Greek myth in contemporary times. They’ve asked them to trot out their most shameful experience and render it on the page. There’s other things as well, imagine a scene involving a man carrying a ladder.” He says he was thrilled so many of America’s finest living writers signed on to take part in the collaboration.

On Raymond Smith

Mark Sarvas reports the death of Raymond Smith, husband of Joyce Carol Oates. Oates’ wrote about their relationship often in her diary: here’s the entry for November 24, 1979, taken from her collected diary entries published last year:

Yesterday, the nineteenth anniversary of our engagement. Since we had been seeing each other every day for a month, having meals together, studying together in Ray’s apartment, we came to the conclusion that we might as well get married: which necessitated becoming engaged. It all happened rather quickly, yet not dizzyingly, I had anticipated from the first that we would be married–though perhaps not so quickly–we planned originally for June, when my semester was over and I had my M.A. But it soon came to seem impractical. And so January–January 23–and that was it. (And I went about afterward thinking, and occasionally even saying aloud, how marvelous marriage was–how one couldn’t imagine, beforehand–simply couldn’t imagine. The transition from “I” to “we.” No, one simply can’t imagine…. And I rather doubt that I can imagine the reverse, either.

NBCC Winners

For what I imagine was the first time in history, the announcement of finalists in the National Book Critics Circle annual awards was about as sophisticated as the Golden Globe Awards. The finalists are listed below. (The NBCC’s blog, Critical Mass, liveblogged the whole thing.) Following that list is the ballot I submitted; not much overlap. (I considered The Rest Is Noise to be a nonfiction book, more a critical history than a book of criticism, and I thought of Brother, I’m Dying more as a reported personal history than an autobiography, but making tough calls like those is what the NBCC is for, I suppose.)

Autobiography
Joshua Clark, Heart Like Water: Surviving Katrina and Life in Its Disaster Zone, Free Press
Edwidge Danticat, Brother, I’m Dying, Knopf
Joyce Carol Oates, The Journals of Joyce Carol Oates, 1973–1982, Ecco
Sara Paretsky, Writing in an Age of Silence, Verso
Anna Politkovskaya: Russian Diary: A Journalist’s Final Account of Life, Corruption and Death in Putin’s Russia, Random House

Nonfiction
Philip Gura, American Transcendentalism, Farrar, Straus
Daniel Walker Howe, What Hath God Wrought: The Transformation of America 1815-1848, Oxford University Press
Harriet Washington, Medical Apartheid: The Dark History of Medical Experimentation on Black Americans from Colonial Times to the Present, Doubleday
Tim Weiner, Legacy of Ashes: A History of the CIA, Doubleday
Alan Weisman, The World Without Us, Thomas Dunne BKs/St. Martin’s

Fiction
Vikram Chandra, Sacred Games, HarperCollins
Junot Diaz, The Brief Wondrous Life Of Oscar Wao, Riverhead
Hisham Matar, In The Country of Men. Dial Press
Joyce Carol Oates, The Gravediggers Daughter. HarperCollins
Marianne Wiggins, The Shadow Catcher, S. & S.

Biography
Tim Jeal, Stanley: The Impossible Life Of Africa’s Greatest Explorer, Yale University Press
Hermione Lee, Edith Wharton, Knopf
Arnold Rampersad, Ralph Ellison. Knopf
John Richardson, The Life Of Picasso: The Triumphant Years, 1917-1932, Knopf
Claire Tomalin, Thomas Hardy, Penguin Press

Poetry
Mary Jo Bang, Elegy, Graywolf
Matthea Harvey, Modern Life, Graywolf
Michael O’Brien, Sleeping and Waking, Flood
Tom Pickard, The Ballad of Jamie Allan, Flood
Tadeusz Rozewicz, New Poems, Archipelago

Criticism
Acocella, Joan. Twenty-Eight Artists and Two Saints, Pantheon
Alvarez, Julia. Once Upon a Quniceanera, Viking
Faludi, Susan. The Terror Dream, Metropolitan/Holt
Ratliff, Ben. Coltrane: The Story of a Sound, Farrar, Straus
Ross, Alex. The Rest Is Noise: Listening to the Twentieth Century, Farrar, Straus

Balakian Citation for Excellence in Reviewing

Sam Anderson — winner

Finalists:
Brooke Allen
Ron Charles
Walter Kirn
Adam Kirsch

Ivan Sandrof Lifetime Achievement Award
Emilie Buchwald, writier, editor, and publisher of Milkweed Editions in Minneapolis

My ballot: 

AUTOBIOGRAPHY
1. Shalom Auslander, “Foreskin’s Lament” (Riverhead)
2. Stacey Grenrock Woods, “I, California” (Scribner)
3. Robert Stone, “Prime Green: Remembering the Sixties” (Ecco)
BIOGRAPHY
1. David Michaelis, “Schulz and Peanuts” (HarperCollins)
2. Dennis McDougal, “Five Easy Decades: How Jack Nicholson Became the Biggest Movie Star in Modern Times” (Wiley)

FICTION

1. Ha Jin, “A Free Life” (Pantheon)
2. Daniel Alarcon, “Lost City Radio” (HarperCollins)
3. Vendela Vida, “Let the Northern Lights Erase Your Name” (Ecco)
4. Junot Diaz, “The Brief Wondrous Life of Oscar Wao” (Riverhead)
5. Andre Aciman, “Call Me by Your Name” (Farrar, Straus and Giroux)
NONFICTION
1. Edwidge Danticat, “Brother, I’m Dying” (Knopf)
2. Alex Ross, “The Rest Is Noise: Listening to the Twentieth Century” (Farrar, Straus and Giroux)
3. Ann Hagedorn, “Savage Peace: Hope and Fear in America, 1919” (Simon & Schuster)
4. Paula Kamen, “Finding Iris Chang: Friendship, Ambition, and the Loss of an Extraordinary Mind” (Da Capo)
5. Peter Schmidt, “Color and Money: How Rich White Kids Are Winning the War Over College Affirmative Action” (Palgrave Macmillan)